来自《耶鲁大学开放课程：1945年后的美国小说 第8集 第8集》

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  aesthetic image of Dean.
  空洞的 优美的迪安的形象
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  But that aesthetic image of Dean is all bound up in these negotiations.
  但这优美的迪安的形象却专心致志于协商中
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  So, it's a picture that Camille has drawn, and of course Camille doesn't
  所以 这只是卡米尔画的一幅画
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  know that he's sleeping with Marylou in another hotel on the same day,
  当然她并不知道在同一天迪安却和玛丽露在另一个旅馆睡觉
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  and so on.
  等等
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  So, all of that is very palpable, and Sal's own desire for Dean is
  所以 这一切都很明显
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  sublimated in those scenes, but it's everywhere at the level of
  而在那样的情景下萨尔对迪安的渴望得到升华
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  the language.
  这在语言的每个层面都有体现
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  And, if you note the repeated presence of that question,
  如果你注意到那个不断出现的问题
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  where was Dean?
  就是迪安在哪
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  Where was Dean?
  他在哪里
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  He's always missing.
  他总是失踪