来自《耶鲁大学开放课程：1945年后的美国小说 第8集 第8集》

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  Dean and Carlo-- Carlo's poetry--seeps out of that
  卡洛的诗
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  basement room.
  从地下室涌出
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  And there's a real spatial sense here, that it's being generated at
  而这里有着一种真实的空间感
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  the base of the world, and it goes up and it transforms
  它从世界的基础上产生
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  these mountains into papier-mache.
  然后这种空间感慢慢上升并转变成纸型山
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  It makes them in one sense false; there is a falseness to the overlay
  这使他们从某种角度上看像假的
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  that Carlo gives to Sal, and through which he then sees.
  卡洛给萨尔的覆盖有一种虚伪 后来他发现了
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  There's a falseness, a craftedness, but it's a kind of
  有种虚伪和造作
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  folk craftedness.
  但却是一种亲近的造作
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  This is not the craftedness of modernism.
  不是现代主义的娇柔造作
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  This is papier-mache, a fairly crude folk art.
  这是纸型的 一种非常粗糙原始的民间艺术
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  Anyone can do it.
  任何人都能做