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Foer learned a lot from Pynchon,
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and certainly even more from Pynchon's other novels,
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Gravity's Rainbow, I think, particularly,
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than from Crying of Lot 49
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which doesn't-- because of its length--
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doesn't quite go to the operatic, playful lengths
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that a longer Pynchon novel can go to.
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Pynchon is also very interested in the eighteenth century,
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and so that interest is something that Foer shares, in this novel.
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Foer is someone who learned a lot from the group of writers
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that we would call "postmodernist" and that I would call "late modernist."
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He learned to be very self-conscious about his language