来自《耶鲁大学开放课程：1945年后的美国小说 第24集 第24集》

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  very much in The Human Stain.
  罗思游戏性的 元小说的一面
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  Roth's work is straddling both sides of that line,
  罗思的创作跨越界限两边
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  between realism and very hyper-metafictionality.
  介于现实主义和高度元小说之间
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  So, some of his novels have alternate endings.
  因此 他的一些小说有多线结局
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  He has several novels that feature Philip Roth.
  他的几部小说都具有菲利普·罗斯的风格
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  So, Foer takes the conceit of naming a character after himself
  因此 弗尔自负地以自己的名字
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  directly from Roth.
  命名了一个角色是直接效法罗思
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  So, there are ways that he is, on the surface, citing Roth,
  这是表层上他引借罗思一些的方式
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  but there is a more profound way that he is working in Roth's terrain,
  但他对罗思的作品还有更深层的借鉴
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  and that is in the terrain of desire.
  就是关于欲望的领域
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  So, thinking back to Roth's first novel,
  回想罗思的第一本小说
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  Portnoy's Complaint,
  《波特诺的抱怨》