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B, C--
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[And remember those are the letters from the mobius strip as
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well]--or more accurately by a variant of that diagram,
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A, B, C, D, with A, B representing the
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If you read on down in that paragraph, you will see that Ambrose
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in his frustration in his effort to control the story
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that is always, in this story,
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spinning out of control-- he wants to be able to use Freitag's
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Triangle to prop up what has become an uncontrollable narrative
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and give it a shape.
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He retells even from one sentence to the next,
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he changes his mind.