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every word.
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He changes the story from one sentence to the next.
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Freytag's Triangle won't help him at all.
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So, just knowing the form that the story is supposed to take,
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and then knowing that language has grabbed you,
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all these formulaic little phrases, "a figure unusually well developed
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for her age," these little stock phrases.
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They are what he has to work with, even though they are what defeat him
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in his effort to make sense of this experience with Magda.
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And it is the experience with Magda that produces the problem
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in the first place.
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And so, if we look at page 84,