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It seems like his mind has simply wandered, as it does,
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from one version of the story to another.
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But the mention of the machines is not incidental.
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Narrative becomes a kind of machine.
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You put your penny in the slot and it works to produce the narrative.
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And that's that first part that I read, where he's looking back fondly
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with Magda from his eminence, later in life,
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and it seems safely past and something that can be talked about.
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But the problem is that, even if he could produce that kind
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of comforting narrative, the problem it produced at the level
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of identity will never be repaired.
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Self-alienation, in Barth's work, is the product of desire.