来自《耶鲁大学开放课程：1945年后的美国小说 第11集 第11集》

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  And, it's the moment when language comes in
  这同时也是 自我分离衍生出语言
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  and is the product of that alienation,
  语言开始主宰作品的时候
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  or perhaps when language comes in
  又或者是语言开始左右作品
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  and causes that alienation.
  遂导致了这种自我异化
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  So, he can't experience an erotic moment
  没有语言作为载体
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  without also experiencing it through the screen of language,
  他甚至无法直接体会性爱
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  and what he ends up doing is
  所以他最终体会的
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  experiencing language instead of sex.
  是语言 而非性爱
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  So, this is the problem that's never solved in Lost in the
  因此 这正是《迷失在欢乐屋》一直未能
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  Funhouse, and it has all kinds of ramifications.
  解决的问题 它充满了分歧
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  This is on 83, just the page before.
  这段在前一页 第83页
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  Remember, this whole story takes place under the aegis of his
  注意 这整部作品都发生在