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What exhausts language is the failure to keep technically up to
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date, and that means in innovation in form.
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"Menelaiad" is where Barth really stakes his claim for innovation.
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Those nested layers of narrative that are so off-putting on
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the page that I have to send you a handout to help you
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over the weekend. (Otherwise I worry that people will
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be really lost.) It's very off-putting, but it's precisely
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those nested stories that allow him to do some of the really pleasurable
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things that he can do in that story and,
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I would say, get at some of the very deep questions raised by the earlier
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stories that he finally, kind of, gets hold of (to use his
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own words) in this last story.