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So, these are stories, some of them for voice and tape,
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and he'd do readings where he'd go and he'd put a tape recorder on the
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podium and he'd stand next to the tape recorder as his voice read the
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story from the tape recorder.
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And it was all to dramatize
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the problematic relationship between voice, story and person.
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But I think the dream of Menelaus is that somehow that voice can be
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residual, that somehow it can survive.
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And, in that sense, I think it has something in common
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with Nabokov's fantasy of the living artwork.
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But, unlike Nabokov's fantasy, it requires this concept of love,
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because love is what makes being into narrative.