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without Christ or the Holy Church of Christ without Christ,
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which no pious Protestant would do, and of course no unbeliever or
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agnostic could have written it because it is entirely redemption
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centered in thought.
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Not too many people are willing to see this, and perhaps it is hard to
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see, because Hazel Motes is such an admirable nihilist.
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His nihilism leads him back to the fact of his redemption,
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however, which is what he would have liked so much to get away from.
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When you start describing the significance of a symbol like the
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tunnel, which recurs in the book, you immediately begin to limit it,
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and a symbol should go on deepening.
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Everything should have a wider significance.