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It would go out of his sight, and then it would pass again going
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back down to the table.
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What do we make of these odd moments of description?
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Why all these body parts hanging around?
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Why this sense of disgusting, excessive body matter?
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It's often women who appear in this guise, but it's not always women.
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What I want to suggest to you is that, when we actually look at the
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sentences on the page, when we look at the words that
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O'Connor chose in the moments of the narration,
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we see something that becomes more complicated than the "Flannery
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O'Connor is a Catholic writer"; "Haze Motes is a Christian malgrlui."
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That's a kind of focus.