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we see something that becomes more complicated than the "Flannery
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O'Connor is a Catholic writer"; "Haze Motes is a Christian malgrlui."
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That's a kind of focus.
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If we think about this, analogize it to how Haze looks,
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it's a way of looking at O'Connor's fiction that sees nothing but the
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theology behind it, that sees nothing but the
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Christian iconography.
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And I want to ask: what is it that we don't see, when
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that's all we see?
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What do we miss?
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I've begun to point out a few things that I think we miss: the
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fragmentation of bodies.