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yet really tuned into the voice, voices, the music, its message,
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surrounded by it, digging it, as were all the faithful it went out to?
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Did Mucho stand outside Studio A looking in
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knowing that even if he could hear it he couldn't believe in it?
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She gave up presently as if a cloud had approached the sun
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or the smog thickened and so broken the religious instant,
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whatever it might have been.
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Here, the cloud becomes the obscuring of
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this sense of intent to communicate or a sense of meaning's pattern.
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But it still retains--
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as it did in Flannery O'Connor--
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that spiritual sense that the divine is always shrouded around by some