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It's all comedy, but then there is a heart, a kernel.
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And if we look on page 101-102,
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we can begin to see what that heart or kernel
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is that recuperates what I would call the sentimental.
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So, this is when she's in San Francisco, looking around the city.
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She's come there hoping to escape the network of symbols
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that she has seen--all those post horns--
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and instead she's immersed with a new network of them.
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We're told: Just before the morning rush hour
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she got out of a jitney whose ancient driver ended each day
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in the red downtown on Howard Street,
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began to walk toward the Embarcadero.