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it's the religious sense of the capitalized Word that comes back a
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couple of times towards the end of the novel, the epileptic Word.
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The "Word," capitalized, always refers back to the beginning
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of the Gospel of John, where John describes Christ as the
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Word made flesh: "The Word was with God and the Word was God and the
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Word was made flesh and came to dwell among us."
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So, Pynchon is using that religious vocabulary: not just the religious
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imagery of the Pieta, but the religious vocabulary of the
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capitalized Word.
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So, you can have a kind of system of symbols
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that's gemlike and pleasurable and that calls you to submit to it
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as it does here for Oedipa, but in the end there is something more