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an incredibly rich world of human detritus, of history.
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In Gravity's Rainbow he did enormous amounts of research in
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newspapers from the Second World War in London
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where some of the novel is set, so that you can go to newspapers and
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find the ads that he talks about in the novels.
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So, he combines this very attentive set of details,
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which are not always, and often are not at all,
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the aesthetic details with which Nabokov filled Lolita.
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Remember, when I asked you about
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the specificity of America in On the Road,
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and I asked you to think about whether there was anything there at all?
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In On the Road, there isn't anything.