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but if you think about it--
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so it's not that--if you--
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it's not that we're allowing even more space here.
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What we've done is taken this pitch
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and played it all the way down an octave below it
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so we're actually getting back to this configuration
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of the pitch right next to it,
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and we could--then of course we could go down one more step
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and we would get the octave,
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which is a duplication of two-to-one.
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So that's a very wide sort of ratio there.
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So that's something to think about.