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is broken down into millions of little triangles
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that are so small they would just be a speck on the screen.
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The group soon realized
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it would take not thousands,
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but millions of triangles to create the photo-realistic images
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that compose the animated films we see today.
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It was an absurd number.
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But it was meant to be an absurd number,
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because if you throw some big numbers at something
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and then you have to be able to handle them,
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then it makes you think about the problem in different ways.
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Right then and there, that changed our whole, you know, kind of mindset about the sort of problem that we were trying to solve.