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not clearly differentiated even from these sailboats,
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sort of in the regattas and all of that.
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But Monet, as my friend Bob Herbert, who pointed this out, Monet when he
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lives at Argenteuil, he gets tired of that,
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he gets tired of kind of the contradictions of capitalism and
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industrialization and he longs for this non-urban paysage,
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this non-urban scenes to paint.
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And what does he do?
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As you all know he moves to Giverny;
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Giverny along the Seine,
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and a railroad track runs right through his backyard and he never
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paints it, not once.