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the implication I think is that the memory of chariot warfare
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back in the Mycenaean days lingered; it was captured in the poetry
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that goes back--the bits of the poetry that goes back
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to the Mycenaean period.
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But how they were used was forgotten,
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and so the poets in the subsequent years then thought,
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"How would I use a chariot?"--
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never having seen a chariot fight in a battle,
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so that's the outcome. Finley, particularly,
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makes a lot of this as being rather indicative
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of how he pictures the poems to work. There are sort of
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legitimate memories, some of them going way back to the Mycenaean period,