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the danger is that he will fall too in love with something too like himself.
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He has to hold off this possibility of being too attracted to these male predecessors
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who are too similar to him.
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This should cue you to think about the theme of doubling in this novel,
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to think about the possibility of desire between men here,
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to think about the word "queer," the treatment of Gaston Godin,
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that funny French character in Beardsley,
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to think about Humbert's constant protestations that he's attractive to all women,
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about his supposed virility.
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And it should just make you wonder whether pedophilia is
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in itself a kind of knight's move from homosexuality.
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In other words, is there another form of perverted desire