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or in Joyce's earlier novel, A Portrait of the Artist as a young Man,
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a linear narrative in which a young boy grows up is structured
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as a series of structurally paralleled chapters
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in which moments in each one correspond to the ones in successive chapters.
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And this comes with a kind of suggestion
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that that banal reality is redeemed by the artist's activity.
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Fourthly, Joyce loves puns.
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So does Nabokov.
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This is incredibly important,
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and there's a direct glance at that just ahead of where you read,
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so don't turn here.
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I don't want to spoil what's coming up,