the ordinary event which is really trickery,

日常事件事实上是个花招
a suggestion that nothing has been left to chance in the novel;

它表明小说中没有什么机遇
nothing is ordinary.

没有什么是普通寻常的
Now, as I come to my last section here,

在我将最后一部分之前
what I want to suggest is that this kind of transformation of arbitrary,

我想要说的是这种双重性的转变
real fated events into conspicuously artificial tricks (which you might

其实决定了事件明显成为人为诡计的命运
think of a knight's move on the real: fate; mcFate) is a response

你也许会想到现实中的迂回前进命运麦克菲特
in particular to exile, in particular to Nabokov's condition of exile.

尤其是对流放对纳博科夫被流放的命运的响应
An exile, living in a foreign country,

流放生活在异国他乡
lives in a kind of denaturalized world, a world where,

生活在去自然化的世界中在这个世界中
instead of everything making instant sense everything has to be decoded. Right.

你必须解构每一件事情而不是对所有事情做出反应
Nothing is initially known to make sense;

无法事先知道什么事是有意义的