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the nearer I came to know them.
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Beyond the tilled plain"-- in other words, the already worked-over,
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domesticated plain-- "beyond the toy roofs,
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there would be a slow suffusion of inutile loveliness,
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a low sun in a platinum haze with a warm,
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peeled-peach tinge pervading the upper edge of a two-dimensional,
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dove-gray cloud fusing with the distant amorous mist."
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"Inutile loveliness" is kind of the key word of Nabokov's technique,
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and he says the novel has as its only purpose to provide aesthetic bliss.
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So, here is inutile loveliness coming
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just from seeing the landscape as a stranger.
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Humbert goes on: