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turning that into this beautifully worked out, playful system,
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defined by puns, and images, and a spell of rhetoric.
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In other words, could it be that all of this modernist technique
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that Humbert succeeds in putting to his own ends--
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that Nabokov succeeds in putting to his own ends--
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is not an unambiguous good, but a record of a kind of damage?
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Now, on Monday you're going to hear about this novel's confrontation
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with the idea that art could be saving,
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that it could somehow be redemptive, but here I think is a hint
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that it's something that the novel simply laughs at hollowly.
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And you might think of one last example.
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all these things I've been saying about the delight in words