来自《耶鲁大学开放课程：1945年后的美国小说 第4集 第4集》

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  the registration of the violence of those practices of beauty.
  是那些暴力的美的尝试留下的印记
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  So she does not let these things sit in the text to be assimilated to
  她没有让那些东西留在文中与神学结构相合
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  a theological structure, but she brings them out.
  而是把它们单独提出来
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  And by reading things like contemporaneous autobiographies from
  通过阅读耶格尔选取的那些
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  southern women that she's chosen from the canon,
  同一时期南方女作家的自传
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  and just accounts of what was required of women-- etiquette and so on,
  以及对女性礼仪等方面的行为要求
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  she weaves a reading of passages like this into that kind of context
  她将这些文本与那种背景结合在一起
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  to suggest that O'Connor's vision of violence
  以表明奥康纳观察暴力的角度
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  has more to do with being a woman in the South than it does
  更多是出自于她身为一名南方妇女这一事实
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  with the stated religious concerns that O'Connor talks about in her letters.
  而与奥康纳在信中提到的宗教因素关系不大
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  Now, remember, as I mentioned, O'Connor suffered from lupus,
  我曾提及过 奥康纳罹患红斑狼疮
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  and she was disfigured by this disease.
  而且因为这个病而毁容