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road and then gratuitously abused by the police-- echoes the earlier moment
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when the policeman pushes his car off the road and down the hill.
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These are instances where police are using their power utterly on their
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own authority, with seemingly no check, with excess force.
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Remember again: this is the South.
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We all know that these kinds of violence, official violence,
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were part and parcel of southern culture toward African Americans.
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What I think O'Connor is doing here is taking some of that reality
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and injecting it into Hazel's narrative. So, these are
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the kinds of images that the Civil Rights movement really brought to light.
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Here we see them in relation to Hazel.
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But overt racism is there, too, and if you look on page 67 in