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is that writers have consistently been located in universities.
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They have been trained at universities;
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they have taught at universities; they have gone to creative writing
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programs embedded within universities;
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they have held visiting positions; they've done readings;
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and they have written books whose primary readership is
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around a seminar table or in a lecture hall like this.
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His argument is that a kind of formal structure,
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characterized by the principle of unity,
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a formal structure that was, in that simplified version,
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that was at the very heart of the most powerful critical movement
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of the early twentieth century, and that is the New Criticism.