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a formal structure that was, in that simplified version,
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that was at the very heart of the most powerful critical movement
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of the early twentieth century, and that is the New Criticism.
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The New Criticism is a way of reading that has its roots in high modernism,
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and it emphasizes the writer's, usually the poet's ability to create
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a beautiful, whole, consistent, internally structured literary object
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that stands outside of history in a certain way, that is autonomous.
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And so, this view of the artwork-- probably you have
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experienced it if you've taken other English classes,
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and in fact I've been producing it for you in my readings--
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this mode of reading looks for those tropes that unify a work.
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It looks for that circularity that I've described