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a beautiful, whole, consistent, internally structured literary object
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that stands outside of history in a certain way, that is autonomous.
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And so, this view of the artwork-- probably you have
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experienced it if you've taken other English classes,
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and in fact I've been producing it for you in my readings--
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this mode of reading looks for those tropes that unify a work.
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It looks for that circularity that I've described
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in this little chapter, tracks the symbols.
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There's more to it than that.
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It also looks for ambiguity.
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O'Connor says about her symbols that they should "keep on deepening,"
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that they should never be reduced to a simple equation, X equals Y,