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this mode of reading looks for those tropes that unify a work.
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It looks for that circularity that I've described
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in this little chapter, tracks the symbols.
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There's more to it than that.
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It also looks for ambiguity.
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O'Connor says about her symbols that they should "keep on deepening,"
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that they should never be reduced to a simple equation, X equals Y,
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cloud equals God, that they should have a sense of mystery about them.
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Well, this was part and parcel of what a New Critical reading practice
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would look like, and it's still extremely powerful in our classrooms.
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We do a lot of close readings.
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Now, we put our close readings to different kinds of uses,