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to that way of thinking about religion.
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That's why, I think, O'Connor found it so comfortable to learn and practice
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the New Critical tenets of formal construction of the literary.
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That's why she produced story after story after story that can be read
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in these formal ways with these symbols that accrue meaning and
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deepen and change over the course of the novel or the story.
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So her commitment to the New Criticism: McGurl argues that
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O'Connor found the New Criticism comfortable
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because Catholicism had taught her to be obedient, that it was a matter of obedience to
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a formula that allowed her to produce what she produced on the page.
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I would argue it differently:
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that there is something, in fact, religious about the New Criticism