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maybe Roger raises his hand but not too enthusiastically.
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Yeah, it's the kind of thing
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that you could do a lot of playing and listening to music.
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You could take as my seventeen-year-old,
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maybe seventeen-year-old, maybe twelve,
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thirteen years of cello and I could ask him,
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"What form do we have? Where are we in the form?"
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and he wouldn't really know
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because he hasn't been exposed to that sort of thing.
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Well, it does help us.
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It's a whole dimension of listening that we can plug into,
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whether it's pop music and