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What would you imagine we're going to move to?
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A minor key and it's probably, again,
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although we don't hear it
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I don't hear it we don't hear it,
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it's probably going to be the relative minor
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because it's just simpler structurally to operate that way.
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So let's listen now to the next variation here,
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but something very interesting happens.
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He's referencing another form.
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He's incorporating another form
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in the composition as a variation,
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so what is the other form now?