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Right. He's changing the note values.
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He's simply doubling the note values,
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and when we do that in music we call that augmentation.
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Sometime, when we get to Hector Berlioz,
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we'll see diminution.
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They give a sense of urgency to the music,
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you can chop them all in half.
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Well, here he's getting toward the end.
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He wants this grand, broad effect.
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He's brought in the brasses.
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It's show time so what does he do?
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He doubles all of the note values in theme number one