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or whatever it was that he brought in
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and I started listening to
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that I thought :
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"My God, he's got a descending tetrachord bass,
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ostinato, embedded in that."
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Now I'm sure Frederick didn't sit there scratching:
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"Oh, yes, there is my descending tetrachord bass there,"
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but it's in there.
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It's embedded in so much of this popular music
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and that's kind of
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what we're going to track here a little bit,
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but we're going to start with the Baroque.