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and then we'll move on.
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All right. Let's pause it there,
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and now we're going to go on to recording B.
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So what's the difference here in approach
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in terms of orchestra everything voice,
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and how does recording B differ from recording A?
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So maybe we'll pause it there.
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What's your reaction to that? How do those two differ?
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Hands, please. Caroline.
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Okay. The first singer had a much more youthful approach
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and you could see that
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as an attempt to maybe duplicate the performance context