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She's able here, too, to draw the same sort of
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precise portraits that she relied upon in her nonfiction,
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that results in a novel that is positively, undeniably seductive.
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The plot revolves around a sort of marginal actress,
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Maria Wyeth, who is divorced from her director husband and who drifts
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aimlessly through the Hollywood party scene of the late 1960s
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waiting for something to touch her, impact her
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emotionally and morally.
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She's both damaged and, as a result, utterly unreachable.
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Tragedies--and there are many, major and minor, that sort of float blithely by--
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slip off her or appear to.
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It is a novel very much about a woman who accepts everything,