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where you see a woman sitting next to a man,
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and you don't know their relationship.
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They're anonymous in the cafe, you've kind of figured it out.
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And in this painting, which I should have brought in
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but I forgot, Degas brings you into it by not having any table leg,
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and so you wonder, "Where's the table leg?"
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And then you reach the glass and you see the glass.
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And it's simply called Absinthe.
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And it's always on the cover of Emile Zola's,
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which I'll come to now,
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Emile Zola's L'Assommoir, inevitably in the translation.
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Zola realized, among others,