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with astonishing success, to show how the
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screen of consciousness, with its ever-shifting kaleidoscopic
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impressions, carries, as it were, on a plastic
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palimpsest, not only what is in the focus of
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each man's observation of the actual things about him,
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but also on a penumbral zone residual of past impressions,
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some recent and some drawn up by association,
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from the domain of the subconscious.
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He's talking about
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the stream-of-consciousness method of narration in Ulysses.
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He shows how each of these
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impressions affects the life and